1862-1954 1864-1948
About
Auguste and Louis Lumière , two of the most profound pioneers in the cinema world, are considered the earliest filmmakers in history as they created the cinématographe with which the brothers made the first motion picture. In addition to their inventions through film, the brothers also made radical advances in photography, art and medicine.As sons of a photographic equipment manufacturer and supplier, Auguste and Louis were constantly surrounded by photography and art and developed an intelligence for technology at an early age. Born in Besançon, France, Auguste (born October 19, 1862) and Louis (born October 5, 1864) moved to Lyon, France in 1870 and attended La Martiniere, the largest technical school in the city. Both brothers also worked in their father’s photographic firm, Auguste as a manager and Louis as a physicist.
While working with his father, Claude-Antoine Lumière, Louis began experimenting with the equipment and discovered a new ‘dry plate’ process in 1881, which largely assisted the development of photography. Because of the new photography process, the Lumières became well-known businessmen and Auguste was invited to a demonstration of Thomas Edison’s Peephole Kinetoscope in Paris. Auguste reported the device and its functions to the family, and they quickly went to work on ways to improve the instrument. The brothers identified the two main problems with Edison’s Kinetoscope as its bulk and the issue of only one viewer being able to observe the scene at a time. Solving the problems Edison encountered, the brothers invented the cinématographe, a device combining a camera with a printer and projection as well as the function to produce intermittent movement in order to display motion pictures for an audience. The device was lightweight, operated by a hand crank, and available for multiple viewers to watch at one time. The cinématographe was patented in February of 1895 and a month later, they screened their first short film, La Sortie des ouvriers de l’usine Lemiére, which depicted workers leaving a factory and was considered the first motion picture.
In the following years, the brothers began creating more motion pictures and patented several film processes, including film perforations, which served as a means for advancing film through the projector and by the 1890s, Lumiére and Sons was the second leading photographic company in the world (Eastman Kodak was the first). During 1896, they created more than 40 films that significantly influenced pop culture, including the documentation of common French life, comedy shorts, the first newsreel, and the first documentaries. In addition to their films, they also trained a team of cameramen to travel around the world to show their films and capture new material. They opened cinématographe theaters in London, Brussels, Belgium and New York and their film catalogues continued to grow, reaching over 2,000 films in the 1900s.
After all of their film development and success, the brothers decided to return their focus to photography, as they believed “the cinema is an invention without any future”. By 1907, they produced the first practical color photography process, known as the “Autochrome Lumiere”. The Lumiére Company continued to be a major supplier of photographic products throughout Europe during the 20th century. Following their photographic inventions and productions, Louis focused his interest in stereoscopy, or 3-D imaging, and stereoscopic films throughout the 1930s, while Auguste focused on medical research including studies on tuberculosis and cancer. After leading lives filled with radical inventions and accomplishments, Louis passed away on June 6, 1948 and Auguste followed on April 10, 1954. Today the Musee Lumiere at the Institut Lumiere, a museum exhibiting the accomplishments of the brothers, is housed on the site of the Lumiére factories in Lyon, France.
Although they were not the first and only inventors to make progress towards motion pictures, the Lumiére brothers’ understanding of the technology and skill needed provided them with the ability to make astounding advances in the cinematography and photography worlds.
By Kyerstin Hill, Marquette University, for IPHF
Auguste (left) and Louis (right) |
Besançon, France |
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| New Guillotière Cemetery (location A6) |
| La Martiniere Lyon |
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| Elliott Cresson Medal (1909) |
The Lumière brothers (, ; French: [lymjɛːʁ]), Auguste Marie Louis Nicolas Lumière (19 October 1862 – 10 April 1954) and Louis Jean Lumière (5 October 1864 – 6 June 1948),[1][2] were French manufacturers of photography equipment, best known for their Cinématographe motion picture system and the short films they produced between 1895 and 1905, which places them among the earliest filmmakers.
Their screening of a single film on 22 March 1895 for around 200 members of the "Society for the Development of the National Industry" in Paris was probably the first presentation of projected film. Their first commercial public screening on 28 December 1895 for around 40 paying visitors and invited relations has traditionally been regarded as the birth of cinema. Either the techniques or the business models of earlier filmmakers proved to be less viable than the breakthrough presentations of the Lumières.
History[edit]
The Lumière brothers were born in Besançon, France, to Charles-Antoine Lumière (1840–1911)[3] and Jeanne Joséphine Costille Lumière, who were married in 1861 and moved to Besançon, setting up a small photographic portrait studio where Auguste and Louis were born. They moved to Lyon in 1870, where son Edouard and three daughters were born. Auguste and Louis both attended La Martiniere, the largest technical school in Lyon.[4] Their father Charles-Antoine set up a small factory producing photographic plates, but even with Louis and a young sister working from 5 a.m. to 11 p.m. it teetered on the verge of bankruptcy, and by 1882 it looked as if they would fail. When Auguste returned from military service, the boys designed the machines necessary to automate their father's plate production and devised a very successful new photo plate, 'etiquettes bleue', and by 1884 the factory employed a dozen workers.[citation needed]
They patented several significant processes leading up to their film camera, most notably film perforations (originally implemented by Emile Reynaud) as a means of advancing the film through the camera and projector. The original cinématographe had been patented by Léon Guillaume Bouly on 12 February 1892.[5] The cinématographe — a three-in-one device that could record, develop, and project motion pictures — was further developed by the Lumières.[6] The brothers patented their own version on 13 February 1895.[7]
The date of the recording of their first film is in dispute. In an interview with Georges Sadoul given in 1948, Louis Lumière claimed that he shot the film in August 1894 - before the arrival of the kinetoscope in France. This is questioned by historians, who consider that a functional Lumière camera did not exist before the beginning of 1895.[8]
The Lumière brothers saw film as a novelty and had withdrawn from the film business by 1905. They went on to develop the first practical photographic colour process, the Lumière Autochrome.[9]
Louis died on 6 June 1948 and Auguste on 10 April 1954. They are buried in a family tomb in the New Guillotière Cemetery in Lyon.[10]
Lumière ou Projection privée (2010), by the French painter Arnaud Courlet de Vregille, displayed in l'Eden-Théâtre, the first cinema in the world, in La Ciotat.
First film screenings[edit]
On 22 March 1895 in Paris, at the "Society for the Development of the National Industry", in front of a small audience, one of whom was said to be Léon Gaumont, then director of the company the Comptoir Géneral de la Photographie, the Lumières privately screened a single film, La Sortie de l'usine Lumière à Lyon. The main focus of the conference by Louis Lumière concerned the recent developments in the photographic industry, mainly the research on polychromy (colour photography). It was much to Lumière's surprise that the moving black-and-white images retained more attention than the coloured stills.[11]
Lumières La Sortie de l'Usine Lumière à Lyon 1895
The Lumières gave their first paid public screening on 28 December 1895, at Salon Indien du Grand Café in Paris.[12] This presentation consisted of the following 10 short films, lasting 50 seconds each, (in order of presentation):[13][14]
- La Sortie de l'usine Lumière à Lyon (literally, "the exit from the Lumière factory in Lyon", or, under its more common English title, Workers Leaving the Lumiere Factory), 46 seconds
- Le Jardinier (l'Arroseur Arrosé) ("The Gardener", or "The Sprinkler Sprinkled"), 49 seconds
- Le Débarquement du congrès de photographie à Lyon ("the disembarkment of the Congress of Photographers in Lyon"), 48 seconds
- La Voltige ("Horse Trick Riders"), 46 seconds
- La Pêche aux poissons rouges ("fishing for goldfish"), 42 seconds
- Les Forgerons ("Blacksmiths"), 49 seconds
- Repas de bébé ("Baby's Breakfast" (lit. "baby's meal")), 41 seconds
- Le Saut à la couverture ("Jumping Onto the Blanket"), 41 seconds
- La Place des Cordeliers à Lyon ("Cordeliers Square in Lyon"—a street scene), 44 seconds
- La Mer (Baignade en mer) ("the sea [bathing in the sea]"), 38 seconds
Each film is 17 meters long, which, when hand cranked through a projector, runs approximately 50 seconds.[15]
The Lumières went on tour with the cinématographe in 1896, visiting cities including Brussels, Bombay, London, Montreal, New York City, and Buenos Aires.[16]
In 1896, only a few months after the initial screenings in Europe, films by the Lumiere Brothers were shown in Egypt, first in the Tousson stock exchange in Alexandria on 5 November 1896 and then in the Hamam Schneider (Schneider Bath) in Cairo.[17][18]
Their actuality films, or actualités, are often cited as the first, primitive documentaries, but they had been preceded in this by the work of Birt Acres and Robert Paul in Britain. They made the first steps towards slapstick films with L'Arroseur Arrosé, and the early versions of Le Saut à la couverture and La Voltige.[citation needed]
Early colour photography[edit]
The brothers stated that "the cinema is an invention without any future" and declined to sell their camera to other filmmakers such as Georges Méliès. This made many film makers upset. Consequently, their role in the history of film was exceedingly brief. In parallel with their cinema work they experimented with colour photography. They worked on colour photographic processes in the 1890s including the Lippmann process (interference heliochromy) and their own 'bichromated glue' process,[19] a subtractive colour process, examples of which were exhibited at the Exposition Universelle in Paris in 1900. This last process was commercialised by the Lumieres but commercial success had to wait for their next colour process. In 1903 they patented a colour photographic process, the Autochrome Lumière, which was launched on the market in 1907.[20] Throughout much of the 20th century, the Lumière company was a major producer of photographic products in Europe, but the brand name, Lumière, disappeared from the marketplace following merger with Ilford.[21]
Film systems that preceded the Cinématographe Lumière[edit]
Earlier moving images in for instance phantasmagoria shows, the phénakisticope, the zoetrope and Émile Reynaud's Théâtre Optique consisted of hand-drawn images. A system that could record reality in motion, in a fashion much like it is seen by the eyes, had a greater impact on people.
Eadweard Muybridge's Zoopraxiscope projected moving painted silhouettes based on his chronophotography photography. The only Zoopraxiscope disc with actual photographs was made with an early form of stop motion. Less-known predecessors, such as Jules Duboscq's Bioscope were not projected.
Louis Le Prince's Roundhay Garden Scene (1888) is now widely regarded as the first example of filmed moving pictures, but Le Prince disappeared without a trace in 1890 before he managed to present his work or publish about it.[citation needed]
William Friese-Greene patented a "machine camera" in 1889, which embodied many aspects of later film cameras. He displayed the results at photographic societies in 1890 and developed further cameras but did not publicly project the results.[22][23]
Ottomar Anschütz's Electrotachyscope projected very short loops of high photographic quality.
Thomas Edison believed projection of films wasn't as viable a business model as offering the films in the "peepshow" kinetoscope device. Watching the images on the screen turned out to be much preferred by audiences. Thomas Edison's Kinetoscope (developed by William Kennedy Dickson), premiered publicly in 1894.[24]
Kazimierz Prószyński allegedly built his camera and projecting device, called Pleograph, in 1894.
Lauste and Latham's Eidoloscope was demonstrated for members of the press on 21 April 1895, and opened to the paying public on Broadway on 20 May.[25] They shot films up to twenty minutes long at speeds over thirty frames per second and showed them in many US cities.[22] The Eidoloscope Company was dissolved in 1896 after various internal disputes.
Max and Emil Skladanowsky, inventors of the Bioscop, had offered projected moving images to a paying public in Berlin from 1 November 1895 until the end of the month. Their machinery was relatively cumbersome and their films much shorter. Their booking in Paris was cancelled after the news of the Lumière screening. Nonetheless, they toured their films to other countries.[22]
See also[edit]
Their house in Lyon is now the Institut Lumière museum.
- Auguste Lumière
- Louis Lumière
- 1895 in film
- 1896 in film
- 19th century in film
- History of film
- L'Idéal Cinéma Jacques Tati in Aniche the oldest still-active cinéma in the world, though not continuously, since 23 November 1905.
- List of works by Louis Botinelly
- Place Ambroise-Courtois
References[edit]
Notes[edit]
- ^ "Louis Lumière, 83, A Screen Pioneer. Credited in France With The Invention of Motion Picture". The New York Times. 7 June 1948. Retrieved 29 April 2008.
- ^ "Died". Time. 14 June 1948. Archived from the original on 14 January 2009. Retrieved 29 April 2008. Louis Lumière, 83, wealthy motion-picture and colour-photography pioneer, whom (with his brother Auguste) Europeans generally credit with inventing the cinema; of a heart ailment; in Bandol, France.
- ^ "Who's Who of Victorian Cinema". www.victorian-cinema.net. Retrieved 17 September 2018.
- ^ Gina De Angelis (2003). Motion Pictures. The Oliver Press. ISBN 978-1-881508-78-6.
- ^ "Brevet FR 219.350". Cinematographes. Retrieved 13 November 2013.
- ^ Chardère 1987, p. 70.
- ^ "Brevet FR 245.032". Cinematographes. Retrieved 12 November 2013.
- ^ Mannoni, Laurent (2000). The great art of light and shadow : archaeology of the cinema. Richard Crangle. Exeter, Devon: University of Exeter Press. ISBN 0-85989-665-X. OCLC 44562210.
- ^ Chisholm, Hugh, ed. (1911). "Photography" . Encyclopædia Britannica. Vol. 21 (11th ed.). Cambridge University Press. p. 518.
- ^ "Auguste Lumière" Retrieved 12 April 2021.
- ^ Chardère, Borgé & Borgé 1985, p. 71.
- ^ 28 December 1895.
- ^ "Bienvenue sur Adobe GoLive 4". Institut-lumiere.org, 12 September 2005. Retrieved 16 August 2013.
- ^ "La première séance publique payante", Institut Lumière Archived 12 September 2005 at the Wayback Machine
- ^ "film110 / The Lumière Brothers". film110.pbworks.com. Retrieved 22 February 2022.
- ^ Rossell, Deac (1995). "A Chronology of Cinema, 1889-1896". Film History. 7 (2): 115–236. ISSN 0892-2160. JSTOR 3815166.
- ^ Leaman, Oliver (16 December 2003). Companion Encyclopedia of Middle Eastern and North African Film. Routledge. ISBN 9781134662524.
- ^ "Alexandria, Why? (The Beginnings of the Cinema Industry in Alexandria)". Bibliotheca Alexandrina's AlexCinema.
- ^ "Lumiere Trichrome". ignomini.com. Retrieved 2 January 2017.
- ^ Lavédrine & Gandolfo 2013, p. 70.
- ^ "City of Lyon Document" Archived 13 February 2013 at archive.today. sdx.rhonealpes.fr. Retrieved 2 January 2017.
- ^ a b c "In the beginning: cinema's murky origin story". BFI. Retrieved 2 March 2021.
- ^ "William Friese-Greene". www.victorian-cinema.net. Retrieved 21 November 2018.
- ^ "Chronology of Film Shows pre-1896". www.victorian-cinema.net. Retrieved 21 November 2018.
- ^ Streible, Dan (11 April 2008). Fight Pictures: A History of Boxing and Early Cinema. University of California Press. p. 46. ISBN 9780520940581. Retrieved 16 May 2016.
Works cited[edit]
- Chardère, B.; Borgé, G.; Borgé, M. (1985). 'Les Lumière (in French). Paris: Bibliothèque des Arts. ISBN 2-85047-068-6.
- Lavédrine, Bertrand; Gandolfo, Jean-Paul (15 December 2013). The Lumiere Autochrome: History, Technology, and Preservation. Getty Publications. ISBN 978-1-60606-125-1.
General references[edit]
- Chardère, B. Les images des Lumière (in French). Paris: Gallimard, 1995. ISBN 2-07-011462-7.
- Cook, David. A History of Narrative Film (4th ed.). New York: W. W. Norton, 2004. ISBN 0-393-97868-0.
- Mast, Gerald and Bruce F. Kawin. A Short History of the Movies (9th ed.). New York: Pearson Longman, 2006. ISBN 0-321-26232-8.
- Rittaud-Hutinet, Jacques. Le cinéma des origines (in French). Seyssel, France: Champ Vallon, 1985. ISBN 2-903528-43-8.
External links[edit]
- Louis Lumière at IMDb
- Auguste Lumière at IMDb
- The Lumiere Brothers, Pioneers of Cinema
- Société d'encouragement pour l'industrie nationale
- Louis Lumière at Who's Who of Victorian Cinema
- Auguste Lumière at Who's Who of Victorian Cinema
- Major Exhibition Casts New Light on the Lumières by David Robinson
- The films shown at the first public screening (QuickTime format) — 26 December 1895. Also includes a program for the event.
- Le musée Lumière — Lumière Museum
- Autochrome colour still of the Lumiere Brothers, 1907
- 1895 – Auguste and Louis Lumiere – The first real motion picture ever made on YouTube
- 1896 Palestine 1896 short film (La Palestina En 1896) – Lumieres Brothers