Wer ist eleanor rigby

Who was the real Eleanor Rigby? It is this question that has puzzled Beatles fans ever since the group released this enigmatic riddle of a song back in 1966. But now that Paul McCartney has given a detailed account of how the Revolver track came to be, it looks like we might finally be getting an answer.

The song is one of those Beatles numbers that, with just a few finely crafted turns of phase, manages to evoke an incredibly diverse range of interpretations. For some, it speaks of solitude, for others, it is a lament on the impossibility of remembrance. However, as McCartney revealed, the inspiration behind ‘Eleanor Rigby’ is far more complex and surprising than originally thought.

“My mum’s favourite cold cream was Nivea, and I love it to this day. That’s the cold cream I was thinking of in the description of the face Eleanor keeps ‘in a jar by the door’. I was always a little scared by how often women used cold cream,” he explained. That’s how McCartney begins his breakdown of how he wrote ‘Eleanor Rigby’. Despite being one of The Beatles’ most melancholic numbers, many of the images in fact come from fond childhood memories. “Growing up,” McCartney begins, “I knew a lot of old ladies—partly through what was called Bob-a-Job Week, when Scouts did chores for a shilling. You’d get a shilling for cleaning out a shed or mowing a lawn. I wanted to write a song that would sum them up.”

And that’s how McCartney met the real-life Eleanor Rigby, a character based on “an old lady that I got on with very well,” he explained, adding: “I don’t even know how I first met ‘Eleanor Rigby,’ but I would go around to her house, and not just once or twice. I found out that she lived on her own, so I would go around there and just chat, which is sort of crazy if you think about me being some young Liverpool guy. Later, I would offer to go and get her shopping. She’d give me a list and I’d bring the stuff back, and we’d sit in her kitchen.”

“I still vividly remember the kitchen, because she had a little crystal-radio set,” he continues. “That’s not a brand name; it actually had a crystal inside it. Crystal radios were quite popular in the nineteen-twenties and thirties. So I would visit, and just hearing her stories enriched my soul and influenced the songs I would later write.” A decade later, when Paul sat down to write ‘Eleanor Rigby’, he was reminded of those conversations, of the sheer isolation of it all — the unbearable loneliness of that woman hauled up all on her own.

It’s possible that the real ‘Eleanor Rigby’ was actually called Daisy Hawkins, and that McCartney picked up the name for his mysterious character during one of the long walks he and John Lennon would take around Liverpool. As Paul recalls, he could well have plucked the name from “a marker in the graveyard at St. Peter’s Church in Woolton, which John and I certainly wandered around, endlessly talking about our future. I don’t remember seeing the grave there, but I suppose I might have registered it subliminally.”

Interestingly, it was this same churchyard where Paul was introduced to John Lennon for the first time: “Back in the summer of 1957, Ivan Vaughan (a friend from school) and I went to the Woolton Village Fête at the church together, and he introduced me to his friend John, who was playing there with his band, the Quarry Men,” he says.

So, there you have it. Finally, we know who ‘Eleanor Rigby’ really was: an old lady who lived on a quiet street in Liverpool and filled Paul McCartney’s imagination with stories of her youth. The world is full of Eleanor Rigby’s, and we’ve all met a fair few in our time. Perhaps that’s why McCartney’s song stands out as one of the most poignant numbers in The Beatles’ catalogue. It serves as a reminder that, on every street in the world, there are countless more “lonely people”, all bursting with innumerable stories just waiting to be told. Paul McCartney was wise enough to listen.

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Song

Release date: 05 August 1966

Ah, look at all the lonely people!
Ah, look at all the lonely people!

Eleanor Rigby picks up the rice in the church where a wedding has been,
Lives in a dream.
Waits at the window, wearing the face that she keeps in a jar by the door,
Who is it for?

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?

Father McKenzie writing the words of a sermon that no one will hear,
No one comes near.
Look at him working, darning his socks in the night when there's nobody there,
What does he care?

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?

Ah, look at all the lonely people!
Ah, look at all the lonely people!

Eleanor Rigby, died in the church and was buried along with her name,
Nobody came.
Father McKenzie, wiping the dirt from his hands as he walks from the grave,
No one was saved.

All the lonely people,
Where do they all come from?
All the lonely people,
Where do they all belong?

"Eleanor Rigby"Single by The Beatlesfrom the album RevolverA-sideReleasedFormatRecordedGenreLengthLabelWriter(s)ProducerThe Beatles singles chronology
"Yellow Submarine"
5 August 1966
7"
28-29 April and 6 June 1966,
EMI Studios, London
Baroque pop, rock
2:06
Parlophone
Lennon-McCartney
George Martin
"Paperback Writer"
(1966)
"Eleanor Rigby" / "Yellow Submarine"
(1966)
"Strawberry Fields Forever" / "Penny Lane"
(1967)
Revolver track listing
14 tracks
Side one
  1. "Taxman"
  2. "Eleanor Rigby"
  3. "I'm Only Sleeping"
  4. "Love You To"
  5. "Here, There and Everywhere"
  6. "Yellow Submarine"
  7. "She Said She Said"
Side two
  1. "Good Day Sunshine"
  2. "And Your Bird Can Sing"
  3. "For No One"
  4. "Doctor Robert"
  5. "I Want to Tell You"
  6. "Got to Get You into My Life"
  7. "Tomorrow Never Knows"

"Eleanor Rigby" is a song by the Beatles, simultaneously released on the 1966 album Revolver and on a 45 rpm single. The song was written primarily by Paul McCartney and credited to Lennon-McCartney.

With a double string quartet arrangement by George Martin, and striking lyrics about loneliness, the song continued the transformation of the group from a mainly pop-oriented act to a more experimental studio-based band. "Eleanor Rigby" broke sharply with popular music conventions both musically and lyrically. Richie Unterberger of Allmusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience."

©1966 Sony/ATV Music Publishing LLC. All rights reserved. Used by permission.

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